Dad and Liz, which is what I call Mum ‘coz she hates ‘Mum’, like it makes her sound old, as if she isn’t, but that’s her problem, are having another big fight downstairs. Liz is on about money again. About why other women in our street have got this and that and why they go places on holidays. ‘Actual places,’ she says, ‘on planes,’ like that ‘ll hurt him big time which is what she wants. But he just goes, ‘Planes. Really?’ Then there’s a crash and another plate hits the wall. And I sneak into their room which is where I’ve always gone when they’re like this and I start going through their drawers. I don’t know why but it makes me feel better looking at grown up things to remind me they’re more grown up than me and so far they haven’t actually messed me up too bad. And even Mum seems like someone soft you could like when you’re looking at her creams and her frilly things and I can block out the racket they’re making.
After I look through Mum’s stuff for anything new, but it’s just the usual goo for skin and corns, which is hard bits on your feet, and bras and pills to stop babies and stuff like that I go round Dad’s side of the bed and there’s a big envelope on his table and it’s been opened and I think wouldn’t it be good if it said, Dear Mr Harrison, you got that divorce you wanted and you can take Ryan but he’ll have to see his mum on weekends, something like that ‘coz that would be the best thing I reckon. But I know about letters and I know it’s not right so I don’t touch it and I look through his drawers instead and there’s the ciggies he’s not supposed to smoke and a whole lot of loose change and old watches and rubbers to stop babies and downstairs in the kitchen there’s another crash and shouting and my eyes keep going back to the envelope and it gets so as I have to look what’s there ‘coz it might be something like that about starting new just Dad and me so I pull the paper out and it’s addressed to him and it’s from some laboratory and I think maybe he’s sick. Maybe he’s real sick. And it’s hard to read ‘coz I don’t know all the words but half-way I realise it’s about me which it calls ‘the child in question’ and it’s saying something about why he’s not really my dad.
Downstairs goes quiet. There’s footsteps coming up. Usually that’s when I’d run out, fast.